- #DUM MARO DUM SONG COPY MOVIE#
- #DUM MARO DUM SONG COPY SOFTWARE#
- #DUM MARO DUM SONG COPY PROFESSIONAL#
Along with the chorus, she also chants Hare Krishna Hare Rama. at the end of each stanza is that of Usha Iyer. The song was sung by Asha Bhosle and Usha Iyer, (now Uthup).
#DUM MARO DUM SONG COPY MOVIE#
Two stanzas of the song appear in the movie (Duniya ne and Chahe jiyenge). The song was a hit in the 1970s, and gained cult status in India. It has been remixed and sampled by many other artists. It was written by Anand Bakshi and composed by Rahul Dev Burman. It was sung by Asha Bhosle along with Usha Iyer and chorus. I had watched him playing this song on harmonica at his residence in Mumbai.ĭum Maro Dum (Hindi:दम मारो दम, "Puff, take a puff!") is an Indian Hindi song from the 1971 Bollywood film Hare Rama Hare Krishna. V S Shirali from Mumbai whose Harmonica inspired me to play this song.
#DUM MARO DUM SONG COPY PROFESSIONAL#
This time on Harmonica (Larry Adler Professional 12) Key Of 'C'. I have come up with yet another version of Dum Maro Dum. You can go from begining to ADVANCED level. I have collect from different sources few very good links that would help you to setup audacity and do recording and editing, conversions etc.
#DUM MARO DUM SONG COPY SOFTWARE#
AUDACITY is free downloadable software and is very simple to use. Although many sophisticated software's are available in the market but they are not free, they are expensive. So we need to learn a simple application that supports recording, editing, putting effects to your recording etc. Or the directory in which you have installed Audacity within that find Plugins directory and copy the dlls.ĭear friends, many of us are interested in recording our voice or instrument at home or in studio. May be, it indeed is a moment of reckoning, and industry has to sit back and take notice about it.Unzip this file and copy all the dlls in the below directory. Even a Shah Rukh Khan could not do it in DON when he tried to copy Big B's exuberant 'Khai ke paan Banaras waala' from original DON. It seems that imitation indeed is emerging as the worst form of fraternity when the songs of yore are being mixed, supposedly under the belief that remixing them would give them a new identity, forgetting the fact that the song crazy public of our country has already formed an opinion about a song in relation to a star that has originally featured in it, and it is too difficult to replace the original. The premise can also be underlined by another of Zeenat Aman's song from QURBANI, 'Laila Main Laila' that has been used as an item number in CHALO DILLI, and being picturised on Yana Gupta has not created a buzz of the same kind as Zeenie Baby had created it in QURBANI. It also is a pointer to the fact that the film fraternity needs to revisit its idea of using a front line star in the item number as it seems to be losing its relevance after all, every product in marketing parlance has its timeline, and an expiry date. What it also underlines is the fact that the kind of gay abandon that Zeenat Aman had brought into her character in HARE RAMA HARE KRISHNA could not be brought in the same magnitude by Deepika in DUM MAARO DUM though she tried her level best to do so, primarily because of the fact that Deepika did not form a central character of the film to create an identity with the song. One has to understand that each song when it is composed in a particular time, factors in the context and the content and it cannot be juxtaposed after yanking it out from the original mooring. Indeed, in Rohan Sippy's DUM MAARO DUM, though Deepika Padukone has been able to generate an aura about the song, it has not been able to set the imagination of youth on fire. DUM MAARO DUM, Dev Anand and Zeenat Amaanĭev Anand indeed would be feeling vindicated that the kind of reservation he had about using his anthem song "Dum Maro Dum" from HARE RAMA HARE KRISHNA would not be having the same kind of impact in DUM MAARO DUM, as the scenario and the ambience between the two films was quite in contrast.